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Minimalist
“Flesh 2.0” was intended as an expression of pure colour. I started by arranging painted squares of watercolour paper in a series of circles. I chose the square as my building block because I wanted a generic shape that didn’t represent any pictorial form. The circle is a distinct form, yes, but it has the advantage of… Read more Flesh
Here again I tried to convey pure colour separate from form. I made the brush strokes uniform, which seemed the best way to indicate colour without implying any intentions about its form. That is, the coloured squares can’t be mistaken for any shape in nature, like a leaf or a wave. When I first look at… Read more Artist’s Reality
